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Showing posts from December, 2022

The Best (and Worst) Albums of 2022

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Okay, let’s cut to the chase. 2022 was a pretty incredible year for music. However, I’m not gonna do a formal year-end list. I wanted to make a list of all the essential albums of 2022 that need to be heard, along with the honorable mentions and even the worst of the worst. These aren’t ranked, just albums I enjoy. Any genre is open, but there’s only one album per artist. I also want you to comment what your favorite album was this past year. I bet you’ll be surprised by some of the choices I have on here. Have fun reading, and I’ll definitely be more active in 2023 once things start to ramp up. The Best of the Best A Light for Attracting Attention - The Smile      Genres: Art Rock, Post-Punk, Art Pop, Chamber Pop, Math Rock, Jazz-Rock      Favorite Track: The Smoke Aethiopes - billy woods      Genres: Abstract Hip Hop, Experimental Hip Hop, Drumless, Jazz Rap      Favorite Track: Heavy Water (feat. Breeze Brewin & El...

Metro Boomin’ - HEROES & VILLAINS ALBUM REVIEW

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Loving the Pink Floyd homage, not gonna lie. I think it’s a safe bet to say that Metro Boomin’ is a modern legend. I’ve always liked him and his contributions to rap and trap specifically, and he’s also had a huge hand in some of my favorite albums in trap. His collab albums with 21 Savage, mainly Without Warning with Offset and Savage Mode II , have been the standouts to me. Also, while writing this, I also found out he produced the entirety (sans one track) of Future’s DS2 , one of my favorite Future projects. It may also be a little bit of bias, but he’s also done a good amount with The Weeknd as well, who appears on this album. However, I think his last solo album, NOT ALL HEROES WEAR CAPES , is just fine. I don’t really remember a bunch of it, but I still got pretty excited for this when it got announced. Let’s just cut to the bullshit and see how I felt about HEROES & VILLAINS . I’m just gonna say that I don’t know how he connected with Morgan Freeman, but he always sounds s...

Weyes Blood - And in the Darkness, Hearts Aglow ALBUM REVIEW

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Honestly, if you’re heart is quite literally glowing, you might have to see a doctor. Okay, hi. It’s been a hot minute. I’m gonna be more consistent with the reviews and do a little catch-up with some other albums I’ve heard, but this is one I’ve sat on for a while. Weyes Blood has been an artist that I’ve fallen in love with. I know I’m not the only one thinking that her last album, 2019’s Titanic Rising , is probably a contender for the best indie rock album of the 2010s. I think it’s a landmark album that set the bar for indie rock/singer-songwriter albums for this decade. Now, we have something that could match the quality of that: Weyes Blood’s next album. And in the Darkness, Hearts Aglow dropped last month, and I’ve had a good amount of time to sit on it. Let’s get into how I felt about it. The reason why I’ve had to take some time with this project is because I’ve had a hard time putting to words just how nice this is to listen to. This has a nostalgic, old school feeling that...