Cordavision Music Reviews

Might as well review an album called The Family on Thanksgiving. Well, happy Thanksgiving. At least on the day I’m writing this, it’s a happy Thanksgiving. Or a year from this post. It doesn’t matter, though, because it’s typically a time where you sit and argue about whatever comes to mind. There’s also food there too. I have no idea how to segue into the next part of this, so… The Family . BROCKHAMPTON, everyone’s favorite boy band, had slowly been falling apart for a couple years now and, as of today, the group is no more. There’s a lot of history there to unpack, but I’ll let you do that yourself if you want because there’s a *lot* of ground to cover there. Last week, the group’s final album titled The Family dropped. They also dropped a second album with it, TM , and if I’m being honest, there’s not a lot to talk about, other than how underwhelming it was, in my opinion. I have much more to say about The Family , though, so let’s not waste any time and get into it. Right off the

Shoutout Hivemind. Right off the bat, I’ll say that I didn’t expect this from Quadeca. The section of YouTuber-turned-musicians that are on my radar are pretty big, especially since I upload on YouTube. Of course, there’s Joji who successfully made the jump, but there are other YouTubers that happen to make music like KSI that really just don’t hit hard to me. Quadeca’s last album, From Me To You , really set up some potential for Quadeca to be a pretty successful YouTuber-to-rapper jump and I still enjoy that project today. His latest release, I Didn’t Mean To Haunt You , leans into a much more experimental and ambitious project. I plan to watch the accompanying visual album too, but it’s just been busy. So, let’s just get into it. So, if I didn’t make it obvious, this project is a whole different beast compared to the other Quadeca projects I’ve heard. This is much more of an art pop album with some alternative R&B, experimental rap, and even a little tinge of industrial thrown i

He mentions the best character in Super Smash Bros. on this album. It’s getting a little ridiculous over here. Starting this decade, Nas has been on an insane run. The first two King’s Disease albums are pretty good, with the second one being great, but his last release, Magic , is one of my personal favorites of his since its drop a little less than a year ago. The gel between all of these projects is Hit-Boy, producing every one of the aforementioned albums. Now, they’ve brought King’s Disease III to the table. Not really a lot to make an intro for, so let’s get into it. I definitely don’t agree with this, but apparently there are some people out there that aren’t fans of the Nas/Hit-Boy pairing. So, I’ll counter that with this: I think that this is some of the best beats Nas has ever been over. The funniest thing is that Nas even has said on tracks that you buy my stuff for the lyrics, not the beats. I think that’s a good case for a lot of the middle section of his career, but ev

I’d just love to have this cover on a shirt, you know? I’m ready to fully admit that this review is coming out way later than I was hoping it would, but I’m glad I’m writing it at all. I’ve spoken about Backxwash (a.k.a. Ashanti Mutinta) in the past and even got the chance to get an advance copy of her last album, I LIE HERE BURIED WITH MY RINGS AND MY DRESSES , which ended up being one of my favorites of that year. The overall darkness of her sound has just been so compelling to me and feels so different from not just rap but from music alone. That being said, there’s no reason for me to doubt that whatever she did next would be one I’d look forward to. We now have HIS HAPPINESS SHALL COME FIRST EVEN THOUGH WE ARE SUFFERING , the conclusion in a trilogy of albums that she’s been releasing for the past three years, the cherry on top being its Halloween release date. Let’s not waste any time and get into it. While this whole series of albums that started with God Has Nothing To Do With

They’re just farming for XP to level up by the end of the year, don’t worry about quality over quantity. Since I literally wrote about these guys a few weeks back, I have no idea how to properly introduce you other than to link you to my Ice, Death, Planets, Lungs, Mushrooms And Lava review so you can get the full picture. However, there’s even more context behind this release. In 2017, King Gizzard and The Lizard Wizard put out five albums, just as they did this year with this album, Changes . This album, however, was meant to be the fifth album of 2017. With most King Gizz releases, there’s a core concept, with this one having every track in D major / F# major chord changes. I’m not even sure if I worded that correctly, but you get the idea. There’s also a pretty visual reference to the track titles, if you’ve got a keen eye. King Gizz have continued to raise the bar all this year and this shouldn’t be any different. Let’s get into Changes and see how I felt about it. As I looked