Cordavision Music Reviews

Might as well review an album called The Family on Thanksgiving. Well, happy Thanksgiving. At least on the day I’m writing this, it’s a happy Thanksgiving. Or a year from this post. It doesn’t matter, though, because it’s typically a time where you sit and argue about whatever comes to mind. There’s also food there too. I have no idea how to segue into the next part of this, so… The Family . BROCKHAMPTON, everyone’s favorite boy band, had slowly been falling apart for a couple years now and, as of today, the group is no more. There’s a lot of history there to unpack, but I’ll let you do that yourself if you want because there’s a *lot* of ground to cover there. Last week, the group’s final album titled The Family dropped. They also dropped a second album with it, TM , and if I’m being honest, there’s not a lot to talk about, other than how underwhelming it was, in my opinion. I have much more to say about The Family , though, so let’s not waste any time and get into it. Right off the...

Shoutout Hivemind. Right off the bat, I’ll say that I didn’t expect this from Quadeca. The section of YouTuber-turned-musicians that are on my radar are pretty big, especially since I upload on YouTube. Of course, there’s Joji who successfully made the jump, but there are other YouTubers that happen to make music like KSI that really just don’t hit hard to me. Quadeca’s last album, From Me To You , really set up some potential for Quadeca to be a pretty successful YouTuber-to-rapper jump and I still enjoy that project today. His latest release, I Didn’t Mean To Haunt You , leans into a much more experimental and ambitious project. I plan to watch the accompanying visual album too, but it’s just been busy. So, let’s just get into it. So, if I didn’t make it obvious, this project is a whole different beast compared to the other Quadeca projects I’ve heard. This is much more of an art pop album with some alternative R&B, experimental rap, and even a little tinge of industrial thrown i...

I’d just love to have this cover on a shirt, you know? I’m ready to fully admit that this review is coming out way later than I was hoping it would, but I’m glad I’m writing it at all. I’ve spoken about Backxwash (a.k.a. Ashanti Mutinta) in the past and even got the chance to get an advance copy of her last album, I LIE HERE BURIED WITH MY RINGS AND MY DRESSES , which ended up being one of my favorites of that year. The overall darkness of her sound has just been so compelling to me and feels so different from not just rap but from music alone. That being said, there’s no reason for me to doubt that whatever she did next would be one I’d look forward to. We now have HIS HAPPINESS SHALL COME FIRST EVEN THOUGH WE ARE SUFFERING , the conclusion in a trilogy of albums that she’s been releasing for the past three years, the cherry on top being its Halloween release date. Let’s not waste any time and get into it. While this whole series of albums that started with God Has Nothing To Do With ...

Still mad that I never got the vinyl release of his last album. Every time I review something that ended up being a surprise release, I always talk about how nice surprise releases are. Even if it’s by an artist you’re not a giant fan of, a surprise drop is always something cool. Memphis rapper Cities Aviv is one I got real excited about. Then again, I was always gonna be excited to see what he did next after his two-hour-long epic MAN PLAYS THE HORN , which is in my top 10 favorite albums of this year. I would’ve never expected there to be a new album so soon given just how large his last project was. Now, we have Working Title for the Album Secret Waters , a damn good surprise release that genuinely caught me off guard. Knowing that this project is only a fraction the length of HORN , does that addictive, hypnotic sound translate into a shorter project? Let’s tread into Secret Waters . What I think stands out here the most is the production, more specifically the sampling done here. ...

Well, it’s time to peel back some layers. billy woods is yet another reason why I changed up my review schedule. If you’ve heard anything by woods, you know that you’re gonna get into more of a deep listening experience. I don’t mean to sound pretentious, but that’s really how it is. woods’s lyrics are cryptic and coded, and the songs themselves are pretty out there and experimental. Listening to a billy woods album usually means that it isn’t a background listen, it’s gotta have your full attention. Earlier this year, woods dropped Aethiopes with Preservation, one of the best albums of the year that I’m still trying to dissect. Every now and then, he drops two projects a year, whether it’s a solo project or an Armand Hammer release with Elucid, and this year’s no different. Entirely produced by Messiah Muzik, Church might be one of woods’s most rich projects yet. Let’s get into it. Like his last album, I’ve given this multiple listens. I’m still diving into the lyrical content and p...

I just want this cover framed. Experimental music can be a tough sect of music to get into. I know it’s the basic line for this, but what else do I have to start with? Especially when it comes to electronic and ambient music, it can be very off-putting, yet it can also be hypnotic and genuinely great to listen to in a good amount of settings. If I’m being totally honest, I’ve been dying to talk about this project ever since I began writing reviews like this. Daniel Lopatin has had a hell of a career, with basically pioneering a whole genre with vaporwave over a decade ago under the Chuck Person alias, getting into scoring films with the Safdie Brothers, and also becoming an all-star collaborator with The Weeknd for his past two albums. I’ve written about his last studio album, 2020’s high concept Magic Oneohtrix Point Never , and I still enjoy it. However, this one is, cutting out all the fluff, the one. The first time I heard this album, 2011’s Replica , is one of the only moments in ...

I have a poster of this cover in my room, yet I have no idea why I have this over IGOR . Tyler, The Creator is arguably a superstar now. For the past few months, he’s been on a wildly successful tour, been doing features on some great projects since his last album, CALL ME IF YOU GET LOST , and he’s actually legally allowed to enter some parts of the world now. Personally, I think he’s one of the best artists working today. I definitely wouldn’t have thought that over a decade ago, mainly because I was a kid, but it’s mainly because he was known for Goblin , an album that I think had great ideas [especially that opening track, holy shit] yet is now plagued with material that hasn’t aged well in many different ways. I thought about reviewing Goblin , its better follow-up Wolf, or even give his first project Bastard a second shot. However, I chose this project, 2015’s Cherry Bomb , which I could safely say is Tyler’s most divisive project as of now. Let’s take a trip down memory lane and...

The moment I found out that this guy has a song called “I Personally Wouldn’t Revive Queen Elizabeth (Pack Watch)” was when I knew I’d like this guy. Most of this new set of reviews is gonna consist of two things: Whatever I heard in my backlog or a newly-released project that I’m excited about. This one lands as more of a backlog entry, but this dropped this past summer and I only found about it last month. I’m a little ashamed to admit it, but Anthony Fantano’s pretty positive review of this gave me the motivation to finally give this a shot. I pretty much have no idea who Ghais Guevara is, and both the title and cover of this already show something unique with the project. Let’s talk about There Will Be No Super-Slave . Right off the bat, I adore the production on this. It’s grimy and tinged with industrial undertones that really began to stand out as I was hearing the project. Even the wild, frantic samples on the intro track introduce Guevara as a producer in an interesting way. S...

I’m gonna avoid using ‘wintery’ as a descriptor because, if I’m being honest, it’s just way too easy. Well, hi everyone. It’s been a hot minute since I’ve been here. I’ve had some great life updates that gave me less time to write, so I’m gonna accommodate that. I’m gonna review whatever I wanna review, and I’m happy that this was the project that the new era of Cordavision Records is going to kick off. I’ve talked about vaporwave before here, but I’ve never dove into the backlog of albums I have like this so I can write. Either way, let’s get into one of the genre’s most chilling releases, Arctic Circuitry . The first of two releases from Dennis Mikula, a.k.a. Electric Specter 電妖怪, Arctic Circuitry feels most like a soundtrack to an old SNES game, but a blizzard froze the cartridge and corrupted the files. The project’s haunting, cassette-like cover fits this image perfectly, especially with the little hits of static and aged computer graphics. After some extra listens, I even notice...

Honestly, this is one of the best album titles I’ve heard in a while. If you don’t know who Domo Genesis is, that’s perfectly fine. He’s a part of the now-dormant Odd Future collective, which jumpstarted the careers of Tyler, the Creator, Frank Ocean, and Earl Sweatshirt. Other members have been coasting along for a while now, but Domo Genesis really caught my eye now. I don’t even know what he’s been doing outside of featuring on Tyler’s last album, but now he has an album entirely produced by Evidence titled Intros, Outros & Interludes , where he goes in a drumless, more abstract direction with his music. Let’s get into how I felt about it. I think the idea of Domo Genesis doing more experimental rap is a great idea. After being in the industry for this long, it’s great to see him make something that’s finally caught my attention. Evidence’s beats are very dusty and match Domo’s cadence well, alongside the great features from Navy Blue and Boldy James. Obviously, I think Domo’s w...

Ther's a great Hulk Hogan bit on here. Quite frankly, I have no idea who The Koreatown Oddity is. I’ve heard his music, especially one of the best albums of 2020, Little Dominique’s Nosebleed , and that certainly grabbed my attention for his career. To put it in perspective, I think Nosebleed is one of the best releases on the Stones Throw label, which includes classic albums like Madvillainy , J Dilla’s Donuts , and Yes Lawd! from Knxwledge and Anderson .Paak. It’s in very good company, and now, we have an official follow-up to it titled ISTHISFORREAL? , so let’s not waste any time and get into it. I should most likely state that I’m not looking for this project to top Nosebleed in any way, mainly because I think that project’s the closest thing we have to that lightning-in-a-bottle feeling in rap this decade. That being said, I still really fuck with this album. No matter if it’s an entire album or a feature, you can tell that a lot of passion has been put into this and cares ...

This cover just reminds me of Vespertine . Rico Nasty has been an artist I’ve been keeping my eye on for a while. The mixtape she released with Kenny Beats was really the first time I had even heard of her, and it was great. Her debut album from a couple years back, Nightmare Vacation , was also very enjoyable, and it even got her that mainstream appeal that I think she’s been deserving for a while now. After Nightmare Vacation , I was wondering if she’d stick with the more mainstream sound or not. After announcing her next mixtape Las Ruinas and some of the singles, it seemed like it was going to get much more experimental, which really excited me. So, let’s not waste any time and get into Las Ruinas . I’d say that the biggest change when it comes to Rico herself is her lyrics. They’re much more vulnerable than the other stuff I’ve heard, and this gives the mixtape a whole new layer that I like to hear. Alongside that, the turn to a more experimental sound helps make Las Ruinas a pr...

Luckily, this didn’t sound like hell was engulfing my eardrums. There was a little phase last year where there were a bunch of post-punk albums that really clicked for me. One of my more controversial takes is that I thought that black midi’s Cavalcade , which is considered by many to be one of the best albums of last year, was just a little bit overrated. I understand the raw talent from each member, but I thought that it didn’t gel as well as their first album, Schlagenheim . However, this might be a different story. I haven’t heard any of the singles ahead of Hellfire , so I’m going into this completely blind. This is getting even higher praise than Cavalcade , not that that matters to me, but it’s worth pointing that out. Let’s not waste any more time and get into Hellfire . Since I never went into detail about it, I prefer Schlagenheim over Cavalcade because the more chaotic sound suits the group much more. I think that was sacrificed with more complex tracks on the latter, whic...

I mean, we all need a good warm-up every now and then. The fact that I’ve covered him on this site five times should say how I feel about Westside Gunn. I don’t even think he needs a proper introduction at this point. For the past few months, he’s been teasing his next album, Michelle Records , but after attending Fashion Week in Paris, he decided to make a new project titled Peace "FLY" God simply because he wanted to. He was so hyped about this project that he released it without mixing or mastering, which God knows what that means at this point. Either way, let’s get into Peace "FLY" God and see how I felt about it. I don’t really mention mixing and mastering and all that because I try to keep these reviews understandable to the masses; I especially don’t want to come off as pretentious or have a holier-than-thou attitude because I know how it works. However, it has to be mentioned here because it could completely affect how you react to this project. Because o...

Is it bad to say that I want Moor of this? I’ll see myself out... I’ve spoken about Moor Mother on here before, and I think she’s one of the most important artists working right now. Her last album, Black Encyclopedia of the Air , was one of last year’s best albums and I continue to go back to it every now and then. Now, we have Jazz Codes , which could be seen as a love letter to jazz, and every section of it is written by one of the mystifying artists of this decade so far. Let’s get into what I thought about Jazz Codes . Let me just say right off the bat that, like most of Moor Mother’s records, this isn’t that much of an easy listen. While it’s still very much an abstract rap album to its core, there are many more genres of music at hand here. Multiple subgenres of jazz like spiritual jazz, free jazz, and avant-garde jazz are just as prevalent as abstract and jazz rap. Even the ambient undertones here add more and more layers to this project. Many tracks on here feel uncanny and et...

The hoodie with this cover on it is incredible. Ada Rook has been on my radar for a while now. Even if I haven’t covered her solo work just yet, I’ve covered some of her work already. She was one half of the duo Black Dresses, which I’ve reviewed their last two albums, and she mastered Backxwash’s last album I LIE HERE BURIED WITH MY RINGS AND MY DRESSES . Ever since this project’s been announced, it’s been one of my most anticipated releases of this year. With a surprise drop that I learned about a day after it was released, UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU is here. Let’s get into how I felt about it. If I had to describe this project in a word, it’d be crunchy because HOLY SHIT this is a loud project. I typically don’t mention mixing and mastering in my reviews, but it’s worth mentioning because I like the angle of just how grimy this is and it just feels dirty and buried into the Earth. When it comes to the writing, this was the album that made me realize how good of...

This cover just looks like a fever dream. We have an odd case for me here. I know what Matmos is, but I haven’t heard any of their projects yet. I’ve also heard about some of the odd concepts about some of their albums. Plastic Anniversary has music made entirely from plastic sounds, and The Consuming Flame: Open Exercises in Group Form got almost 100 musicians in a room to do their thing for 3 hours worth of material. The concepts here are pretty outlandish, so I figured we’d be getting something similar with Regards / Ukłony dla Bogusław Schaeffer . What is the gimmick behind this? Reworking the work of Polish composer and artist Bogusław Schaeffer to make new music. Let’s get into this odd idea. Since this is made entirely off of previous samples, would this be considered a plunderphonics album? Either way, covering more plunderphonics is pretty cool. When it comes to the music itself, it actually sounds like more vintage electronic albums from the 70s and there are some very omin...

“ Yo Gabba Gabba MCs” is one of the best insults I’ve heard in a while. In my opinion, Quelle Chris is one of the most unique rappers working right now. While I haven’t taken the deep dive into his discography yet, I’ve listened to his most recent albums Guns and his Chris Keys collab Innocent Country 2, and he’s impressed me with both his pen and voice. After some great features on some of my favorite albums from last year, I had to get whatever he was gonna drop next on my radar. We now have that in the form of DEATHFAME , which was mainly produced by Chris himself, with extra production from the aforementioned Chris Keys and even Knxwledge in the mix. Let’s get into DEATHFAME and see how I felt about it. Since I had Guns fresh in my mind, I noticed an interesting connection to one of the final tracks on that project to this one. “WDYM” touches on if he’s gonna leave a legacy or be remembered by anyone. This album is that question being expanded upon, which makes for Chris’s dar...

Honestly, I just can’t believe we made it five years. Do I really need an introduction to this? I’m sure if you’re even in tune with the music world, you know who Kendrick Lamar is. You know how long it’s been since his last album DAMN. , and if you’re curious, that dropped back on April 14, 2017. I was a sophomore in high school and the day this dropped, I finished my sophomore year of college. A lot of my life happened in between the two albums, and among many other rap albums, DAMN. was very instrumental in my music taste today. Actually, Kendrick’s discography in general really helped me get into music the way I am today, so to say that this is a big deal to me is an understatement. You know how much expectations fans have for Kendrick when it comes to his projects. To put it simply, he hasn’t missed for a very long time, there’s little reason to doubt him. The one thing that always fluctuates with him is the sound of the album, and we haven’t gotten anything on that before its re...

Literally took a couple minutes to figure out what the hell this cover was, but it’s cool, I guess. I’ve been aware of Yung Lean for a while now and he honestly hasn’t done that much for me when it comes to his music. Sure, the pictures of him with Kanye West and Rei Ayanami from Neon Genesis Evangelion are insanely funny to me, but that’s the most positive I’ve been with him. Finally, Lean gets put in the Cordavision chamber with Stardust , his first project in a couple years that I’ve been eager to check out. Let’s get into it. You know, I’ll give it this one thing: It was never boring. Each track had something I liked about it, whether it was Lean himself, the production, or a featured artist, but for an odd reason, it all never really came together. I know it’s very cliche to compare an album to a rollercoaster, but it really felt like that. It took many twists and turns, and I really didn’t know what to expect from the next song while listening to it. The only track I really did ...