King Gizzard and The Lizard Wizard - Changes ALBUM REVIEW

-
They’re just farming for XP to level up by the end of the year, don’t worry about quality over quantity.


Since I literally wrote about these guys a few weeks back, I have no idea how to properly introduce you other than to link you to my Ice, Death, Planets, Lungs, Mushrooms And Lava review so you can get the full picture. However, there’s even more context behind this release. In 2017, King Gizzard and The Lizard Wizard put out five albums, just as they did this year with this album, Changes. This album, however, was meant to be the fifth album of 2017. With most King Gizz releases, there’s a core concept, with this one having every track in D major / F# major chord changes. I’m not even sure if I worded that correctly, but you get the idea. There’s also a pretty visual reference to the track titles, if you’ve got a keen eye. King Gizz have continued to raise the bar all this year and this shouldn’t be any different. Let’s get into Changes and see how I felt about it.

As I looked more into what was going on with this project outside of the songs, I found that the band was inspired by John Coltrane’s Giant Steps. Another thing I noticed is that they finally found a piano. Like, it’s not something I’d normally notice, but there’s a lot of piano on this. As I’ve said in the past about King Gizz, while I do enjoy a great amount of their material, I prefer their more laid-back, jazzy sound. While it’s a tough call between this and Sketches of Brunswick East, I think that this is their best album in this lane. Hell, it might be one of their best albums period. It has this overall sunny feeling that just activates the lizard part of my brain, and the consistency in how all the songs run together is very cool to me. Blending pop, jazz, soul, and funk is something many artists have done, but I don’t know, this simply hit different for me. I still think that they could go in this direction for the rest of their careers and thrive off of it, but the versatility in what they’ve released only this past October have shown just how talented they are.

King Gizzard and The Lizard Wizard wrap up 2022 with what’s most likely their best release of the year with Changes, a jazzy effort that proves that they may be the only exception of quality over quantity. I really don’t know what else to say but this: King Gizz has done it yet again.


10/10


Listen here

Spotify

Apple Music

YouTube

Bandcamp




Changes is a KGLW release.

Comments

Post a Comment

Popular posts from this blog

Lil Yachty - Let’s Start Here. ALBUM REVIEW

-
Image
I gotta keep holding to my promises about reviewing. I always love it when an artist takes a risk with their material. Whether or not it works out, I usually admire the risk and appreciate the fact that any artist can do something out of their comfort zone. Either way, the artist in question today is Lil Yachty, a rapper that has basically become a joke the longer his career’s gone on. However, going into a new genre out of left field isn’t totally new to rap. Childish Gambino jumping into the world of neo-soul with Awaken, My Love! , along with later projects from Mac Miller and Tyler, the Creator having more jazz influences, have proven that turning to a new genre for new ideas has worked out pretty well. Yachty, however, has turned to psychedelic rock in the vein of Tame Impala for this new album, Let’s Start Here. to mark the new chapter of his career. Let’s get into it. Having stuck around with Yachty during the rough patches, I can easily say that Let’s Start Here. is his best ...
Read more

Kendrick Lamar - GNX ALBUM REVIEW

-
Image
Woah, a new review? After this long? Yeah, sure. Why not? I got some plans in the works to keep this active in some form, and I’ll show off some more details in the post after this! What timing for an album to end up bringing this little site back, even if it’s just for a little bit of time. The last post on here was last June, and a lot has happened in my life since then, whether it’s in music or my personal life. Arguably, the biggest moment in music of the year was the beef between Drake and Kendrick Lamar, which exploded just before this summer with “Like That,” a song off of the first of two Future and Metro Boomin’ albums from this year, WE DON’T TRUST YOU . I don’t need to go into just how massive this beef was (and in still is in some ways), but if you need one major takeaway, I’ll say this: One of the biggest hits of the year, regardless of genre, essentially boiled down to Kendrick calling Drake a pedophile for four-and-a-half minutes. “Not Like Us,” a song where one of the m...
Read more

Porter Robinson - Nurture ALBUM REVIEW

-
Image
I wanna just lay in a field of grass, but I’m allergic to pollen :( I’ve always had a very strange relationship with electronic music. The bad music I’ve heard in the genre has been some of the worst music I’ve ever heard, and the good stuff is some of the greatest music I’ve ever heard. For some context, we have artists like The Chainsmokers on one end, and Daft Punk on the other. There are some subgenres in here too that work. Electropop is one of them, being an obvious fusion of pop and electronic music. In the little community of the AOTY website, the users there have been hyped as hell for this Porter Robinson album, Nurture . It’s apparently his first in seven years, and I’ve only heard one single from it, titled “Musician.” While it wasn’t the best electropop song I’ve heard, it’s certainly an interesting sound that I think can work pretty well. So, with how anticipated it is in the AOTY community, I figured I should take a listen and see what all the fuss is about. Let’s get in...
Read more