Woah, a new review? After this long? Yeah, sure. Why not? I got some plans in the works to keep this active in some form, and I’ll show off some more details in the post after this! What timing for an album to end up bringing this little site back, even if it’s just for a little bit of time. The last post on here was last June, and a lot has happened in my life since then, whether it’s in music or my personal life. Arguably, the biggest moment in music of the year was the beef between Drake and Kendrick Lamar, which exploded just before this summer with “Like That,” a song off of the first of two Future and Metro Boomin’ albums from this year, WE DON’T TRUST YOU . I don’t need to go into just how massive this beef was (and in still is in some ways), but if you need one major takeaway, I’ll say this: One of the biggest hits of the year, regardless of genre, essentially boiled down to Kendrick calling Drake a pedophile for four-and-a-half minutes. “Not Like Us,” a song where one of the m...
I wanna just lay in a field of grass, but I’m allergic to pollen :( I’ve always had a very strange relationship with electronic music. The bad music I’ve heard in the genre has been some of the worst music I’ve ever heard, and the good stuff is some of the greatest music I’ve ever heard. For some context, we have artists like The Chainsmokers on one end, and Daft Punk on the other. There are some subgenres in here too that work. Electropop is one of them, being an obvious fusion of pop and electronic music. In the little community of the AOTY website, the users there have been hyped as hell for this Porter Robinson album, Nurture . It’s apparently his first in seven years, and I’ve only heard one single from it, titled “Musician.” While it wasn’t the best electropop song I’ve heard, it’s certainly an interesting sound that I think can work pretty well. So, with how anticipated it is in the AOTY community, I figured I should take a listen and see what all the fuss is about. Let’s get in...
Honestly, the fact that you’re reading this review now is a big deal to me. I *very* rarely mention anniversaries of albums that I love, but this is simply different. To go even further, hearing channel ORANGE for the first time as a kid was transformative. I saw this little orange CD on the new release stand at the local library and decided to pick it up. Again, I was literally 10 when this came out, so I had no idea what the intricacies of love and romance even were at that point, but putting that little disc inside my shitty portable CD player was certainly something. I literally didn’t know that a song could as perfect as “Pyramids” was and still is. Let me just be honest with something: This is my favorite album of all time. I gave it a relisten last night/this morning just to see if it’s in the running, and it easily took the cake. The only thing that bothers me about the digital version is that the final track doesn’t include the hidden track, “Golden Girl” with Tyler, the Crea...
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